Recordings, scores and releases can be found on
CATALOG OF WORKS

L'Indifferenza dell'Amore Cosmico (The Indifference of Cosmic Love)
for flauto d'amore, clarinet, electronics and cosmic rays (2021)
Ginevra Petrucci, flauto d'amore; Gleb Kanasevich, clarinet; Marco Buongiorno Nardelli, electronics
"An evening exploration of music complexity" presented by the Santa Fe Institute and SITE Santa Fe. Performance at SITE Santa Fe on May 16, 2022 - world premiere

Requiem
Version for mixed ensemble with audience chorus (voices, flute, clarinet, violin, viola, cello, accordion and Tibetan bowl), 2022
Ginevra Petrucci, flute; Gleb Kanasevich, clarinet; David Felberg, violin; Laura Steiner, viola; James Holland, cello; Elaine diFalco, voice, accordion; Gina Rae La Cerva, speaking voice; with the participation of the audience.
"An evening exploration of music complexity" presented by the Santa Fe Institute and SITE Santa Fe. Performance at SITE Santa Fe on May 16, 2022 - world premiere

Helefini otea agoninisconi
for string instrument(s), and voice on fixed media
The title of the piece should be decided by the performers by choosing letters from the matrix in the title page.
The score can be downloaded here

Tout ce qu'on perd
(2020)
for speaking voice, flauto d’amore and flugelhorn after a poem by Hyam Yared (4’30”)
text and voice, Hyam Yared
flauto d’amore, Ginevra Petrucci
flugelhorn, Nathan Hudson
For the Creativity Quarantine of the Flauto d’Amore Project (world premier on BandCamp, April 17, 2020)

untitled (Four. Feel. Title. Words.)
(2020)
a triptych
for flauti d’amore (or flutes or alto flutes and/or bass recorders) and electronics
(dedicated to Ginevra Petrucci)
1. Dew. Rust. Light. Flow
2. Mist. Iron. Cold. Pulse.
3. Rain. Steel. Hollow. Veil.
TO BE PREMIERED

miniature opera project #2: The Messengers, a CosmOpera
CosmOpera for voices, fixed media (multichannel audio), and cosmic rays (variable duration)
Morgan Horning, soprano, Tom Mebarki, contratenor, Mia Detwiler, violin, Florian Antunes, cello, Marco Buongiorno Nardelli, flutes
The Messengers… are cosmic rays. They come to us from the cloud of possible futures. They pass through its messaging system and bring to us voicemails of the future.

La forme de l'ocean
(2019)
for SATB choir and multichannel audio, text by Jiang Hao after his poem 海的形状
(dedicated to Yeomyoung Lim and Ensemble Creation)
TO BE PREMIERED

Le reseaux de ton souvenir

Un giro d'anello
(2017)
six experiments for electric string quartet and fixed media
Even snails can accelerate
非常饿了 (feichang e le), "very hungry" or the emergence of the machine
Scandalous interference sizzle slowly inside or the dialogue of Knowledge and the Unknown
Area reservada para especies salvajes
Lucifer's inner light illuminates them
Aktion von licht oder intensiver strahlung im all

EleKtrIon
(2016)
fixed media
EleKtrIoN I (music of diamond) is a composition based on the sonification, remix and artistic reinterpretation of diamond property data obtained by very sophisticated scientific computer simulations translated into music using a computer-aided data-driven composition environment developed by the composer in the materialssoundmusic project.

Inventions for data streams #3: ...et qua diversa moventur
(2015) [5'40"]
alchemical variations for violin, clarinet and piano

Inventions for data streams #4: Amargosa Triptych
windows of sand
windows of darkness
windows of air
for Piano
I have come to lose myself in the wide immensity and know my littleness.
I have come to lie in the lap of my mother and be comforted.
I am alone but not alone – I am with myself.
My soul is my companion above all companions.
Charles Erskine Scott Wood, The Poet in the Desert (1915).

Music for 88 keys
(2015) [10’]
to Conlon Nancarrow (in memoriam)
for player piano and electronics
Premiered at the University of North Texas MusicNow on April 27, 2015

Morning Moon (2012)
Big Round Records is proud to present MORNING MOON, the debut commercial release from the eclectic and varied Ecco La Musica. The group's seamless blending of jazz, world, chamber, and experimental music-all of which is composed by the group members themselves-highlights their ability to remain ahead of the curve of their competition, both independent and mainstream. As most artists struggle to blur the lines of genre, Ecco La Musica has them nearly erased (from Big round RECORDS website).

Tzolk'in (2010)
for three marimbas
NEWS: Tzolk'in has received Honorable Mention in the Second Annual Louisiana State University Percussion Society's Percussion Ensemble Composition Contest!
NEWS: Tzolk'in is the winner of the 2010 Volta Trio Composition Competition!
NEWS: Tzolk'in has been premiered by the Volta Trio at the Eastman School of Music on November 30, 2010.
Visit the Tolk'in web page here for a video of the performance and more on the piece!

Elementi in una variazione (2007)
for flute/piccolo, piano, and percussion (two performers)

Bamboo's ghost
In Bengal, young children are told that the whispers and crackles they hear near bamboo bushes are the voices of the ghosts that live there. With this story in mind, I have created a piece where I have elaborated the natural sounds made by bamboo trees when they are moved by the wind. These natural sounds are then mixed with other ambient sounds (street, traffic, conversations) and processed so that the resulting composition is characterized by a remote and abstract atmosphere. The original sounds have been recorded in Jakkur, India, in the summer of 2006.

Anninnia anninnia (2007)
for female voice and piano

rain over tallin (dedication to Arvo Pärt) (2007)
for amplified piccolo (violin), two amplified flutes, percussion and electronic music on digital medium.
NEWS: RAIN OVER TALLIN has been premiered on Dec. 5, 2007 by the "New York System" ensemble at Rhode Island College, RI (E. Codd, vl; K. Waters, C. Craig, fl; M. Buongiorno Nardelli, electronics; A. Shockley, conductor)

Finzione di interludio
for chamber orchestra
NEWS: Finzione di Interludio has been premiered on Feb. 25, 2007 at NC State University in Raleigh by the Raleigh Civic Chamber Orchestra conducted by Randolph Foy.